These parchments reveal forgotten stories of deceased souls, an insight into their dreams, fears, demons and resolve. The drawings tear an opening in our space-time continuum so that they can peek into our world. Ghostland is a concept series that originated in 1995. At that time I used to scribble eyes and faces on edges of notebooks, with a G.H.O.S.T.L.A.N.D inscription on it.
After a couple of decades I pulled the idea out of the "afterlife" and started the 2018 series anew. Ghostland Collection comprises B5 Format Parchments, each limited to 50 prints. Every print is individually stained, waxed, signed, numbered and comes with
a certificate of authenticity. For orders and information use the Contact Page.
It recently dawned on me that only a handful of people saw my earliest creations. The first oil paintings I made were understandably not very good, but there is one little painting that stuck with me through the years and it still has it`s rightful place on my shelf. It was made around 1996 and is only 6cm x 4cm.
One of my latest projects is a reproduction of "Head of a young girl"
by a Flemish painter Jacob van Oost I (1603-1671). As I was preparing the drafts, I noticed that the hair details in the back of the painting were almost invisible, while the hair on the face was much lighter in color.
That shows the dark oil paint he used for backgrounds affects the pigment of the upper layers, making pictures seem darker then when they were painted. To solve this predicament I used Krita to adjust the light and contrast ratio and uncover some of the details that were hidden in the background. The green pigment was completely absorbed / dissolved as you can clearly see on the flower petals and the leaves. The hair looks reddish in color as well because it`s green pigment faded away. Minute amount of white oil paint that was mixed in the hair strands kept its pigment and I was able to illuminate them and draw out the details.
Reproducing the painting as it is today would certainly make it recognizable, but I believe its intricate beauty should be restored as it was on the day it was painted. I started drawing out the outlines today, carefully filling in the hair and flower details so that after hundreds of years she can find her way back into the light.
Yesterday I had a chance to visit the latest exhibition of Stefan Sagmeister, a world renowned graphic designer. Inspiring, soul seeking and yellow are the impressions that stuck with me.
As a part of the Exhibition there was also "My Collection" from Sagmeister;
an assortment of decor, clothes and furnishings, an interesting, but somewhat irrelevant part of the whole experience. In separate exhibition was "Design Studio: Processe" an interactive insight into the work process of designers from turn of the century until today.
To make a contribution I designed and constructed a wire frame lounge chair and left it on the display shelf. My first and most likely last "Exhibition" I will have in the Design Museum.